GonzaLomo XL/Flux/Pony - V2.0 Unity XL DMD
by ModelsLabEssentially, this is V1.1 Real with a bit of Siren Forge, Cyberrealistic and Lustify added to the mix. The base is still Gonzales and LomoXL.I called this version Unity because I originally wanted to have separate models for photorealism and artistic styles. However, I realized that I could get both in one model and created V1.1 Artsy for that purpose but it was a failure. This is my second attempt at that combination and I think/hope it's a success.At the very least, I don't want to degrade the photorealism capabilities and just want to add more surreal, artistic or fantastical styles as an option.The recommended settings haven't changed since V1.1 Real:Sampler: LCM (also dpmpp2a and ddim can provide interesting results)Scheduler: Karras, Exponential or BetaSteps: 8-12CFG: 1.0-1.3Clip Skip: 1-5I normally keep my settings at LCM/Karras with a CFG of 1.0 but I tend to vary the clip skip between 1 and 5 because those can change the image pretty drastically. Sometimes an image at clip skip 2 will be terrible but might become amazing with clip skip 1, and vice-versa.
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GonzaLomo XL/Flux/Pony - V2.0 Unity XL DMD Readme
Essentially, this is V1.1 Real with a bit of Siren Forge, Cyberrealistic and Lustify added to the mix. The base is still Gonzales and LomoXL.I called this version Unity because I originally wanted to have separate models for photorealism and artistic styles. However, I realized that I could get both in one model and created V1.1 Artsy for that purpose but it was a failure. This is my second attempt at that combination and I think/hope it's a success.At the very least, I don't want to degrade the photorealism capabilities and just want to add more surreal, artistic or fantastical styles as an option.The recommended settings haven't changed since V1.1 Real:Sampler: LCM (also dpmpp2a and ddim can provide interesting results)Scheduler: Karras, Exponential or BetaSteps: 8-12CFG: 1.0-1.3Clip Skip: 1-5I normally keep my settings at LCM/Karras with a CFG of 1.0 but I tend to vary the clip skip between 1 and 5 because those can change the image pretty drastically. Sometimes an image at clip skip 2 will be terrible but might become amazing with clip skip 1, and vice-versa.







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